Showing posts with label HHA Theatre. Show all posts
Showing posts with label HHA Theatre. Show all posts

Sunday, June 25, 2023

Summer of Soul Questlove


Summer of Soul

A film to commit an annual viewing for, especially during the summer. Flowers for Questlove on this achievement. You can watch Summer of Soul (...Or, When the Revolution Could not Be Televised) on Hulu. Questlove is also the author of Music Is History and Creative Quest. And of course y'all know the name and the catalog for the Roots and other musical connections. 


Sunday, October 10, 2021

Sunday, April 5, 2020

Malcolm X & the Sudanese Documentary


Malcolm X & the Sudanese Documentary click here

Thankful for documentaries such as this one that place the focus on individuals such as Ahmed Osman who truly impacted Malcolm's progress forward and his plans prior to being taken from us. These are the stories that push us to learn more and that push us to preserve Malcolm's legacy and initiate study and understanding into his ideas for a better tomorrow. Respect to Hisham Aidi and the filmmakers of this wonderful documentary. Below are some other resources connected to this documentary.

Malcolm X Visit to Dartmouth Campus: click here
Important resource to study for one of Malcolm's final public speeches.

archive.org: One of my personal favorite resources. One I don't often tap into enough. I look forward to digging through this digital resource for anything and everything related to Malcolm X. Check in with the Internet Archive!

Hisham Aidi - Show some love to one of the individuals involved with this documentary @HishamAidi. Thank you, thank you, thank you!

Monday, October 31, 2016

The Birth of a Nation Bookmarks


The Birth of a Nation Bookmarks

This month my youngest brother and I went to watch Birth of a Nation, a film by Nate Parker about the story of Nat Turner.  I was familiar with Nat Turner's name but not so much his story, just references from music and a few clips of information I picked up from documentaries about America and slavery.  I was first introduced to Nate Parker's work when I went to see The Great Debaters movie.  Afterwards I wondered what that experience acting alongside Denzel Washington would mean to Parker's future as an actor.  I thought about this because of what I learned from actors like Ethan Hawke of Training Day and Derek Luke of Antwone Fisher who described the experience acting with Washington as an opportunity of a lifetime. I came up a big fan of Washington after one of my earliest theater experiences as a kid seeing Malcolm X with my little brother's godfather and his son.  In a lot of ways that experience would shape how I felt later about the social responsibility of cinema and recognizing its power to inspire and teach us something that would mean something to us later on.  Films like that also linked me to literature as a kid and books like the Autobiography of Malcolm X as told to Alex Haley.  At 12 years old I started reading this book which would take a few years for me to comprehend and finish reading.  It was because of the story I was introduced to at the movies that I kept at it.  It pushed me into a life of inquiry that would continue well beyond middle and high school and on into college and my years as an adult.    

The Great Debaters, like Spike Lee's Malcolm X was a powerful theater experience... emotionally charged and all that.  It hit deep for a number of reasons, especially since by 2007, I was thinking about education differently.  I was a year away from graduating with my master's degree and started to experience life as an educator. There was something about that connection between Parker's character in the film and Washington's character...student to teacher.  It took me back to films like Malcolm X ...it made me think about timelines and what story cinema would tell next.  Since childhood I've always valued stories. Reading Walter Dean Myers, I could see everything Myers wrote as if I was watching a movie.  So to see Birth of a Nation manifest itself through Parker's efforts after being introduced to his work on The Great Debaters almost 10 years ago...I sat there and thought about this as the closing credits of Birth of a Nation started to roll.

To date, I'm still thinking about Birth of a Nation and what I will do next to learn more about Nat Turner's story. I also think about America's first "blockbuster" a Hollywood silent film, a horror one at that...directed by D.W. Griffith's, of the same name The Birth of a Nation released a little over a century prior to Parker's directorial debut. I thought about what I learned regarding President Wilson's screening of this racist propoganda at the White House in 1915.  I think about the implications of this film and domestic terrorism in the United States, the KKK and all the Black Americans that lost their lives...lives Billie Holiday would sing ode to in ((Strange Fruit)) a couple of decades later.  Lives connected to the lives we're losing today that protests demand justice for in 2016.

With Parker's film, I think about that creative connection to music and the compilation inspired by Nat Turner's Birth of a Nation.  I think about its relationship with literature. Recently, at Nate Parker's social media Twitter @NateParker, I found out about an educational companion text to the film titled The Birth of a Nation: Nat Turner and the Making of a Movement.

This past week I received a brick of Birth of a Nation bookmarks (see picture above).  The previous week I received film posters that I disseminated to local theaters and friends.  It was through a Twitter post by Amy Bowllan that I found out about these items and which I'm most grateful to have received.  Trust, they're in good hands and will be in others soon.

We're at the dawn of a twisted, cryptic, weird election in this country.  So as we go through this power trip, I look forward to what's next from all of the actors and actresses that came together in Birth of a Nation. I look forward to the dialogue and the first book I decide to read about Nat Turner that my Birth of a Nation bookmark will call home for a while.

Til' the Birth of a Nation blu-ray... Peace.

#Lee

Saturday, August 30, 2014

Fruitvale Station Today


Fruitvale Station Today

I've been wanting to see this movie for a long while.  I waited for the film to land on Netflix but would forget to look it up.  Now that I check out Red Box films I noticed Fruitvale when I was searching for God's Not Dead.  Immediately, I changed plans and made up my mind to screen Fruitvale Station for the evening after dinner.

Oscar Grant

I became familiar with Oscar Grant's story in 2009 through news feeds of Hip Hop advocates like Davey D (who's based in the Bay Area) and also through the coverage of independent news sources like TruthOut who published several articles after the police killing such as "Unrest in Oakland Has Deep Roots in City's History of Race Relations".  A few clips since put me on to Grant's name via Hip Hop MCs like Raashan Ahmad ((How Long)), Zion I's Oscar Grant Tribute ((listen)), and other shout outs as well.  The Beat Within, a writing and art publication for incarcerated youth based out of the Bay Area also educated readers on their feelings about the police killing.  A couple years ago I instructed an NMSU class online called Criminal Justice & Youth Outreach (CJYO) and we watched footage captured the night Grant was killed by police.  The footage included below is a higher quality than the clip we watched clearly showing the un-excusable act of murder by policeman Johannes Mehserle.  Much of the footage is reenacted in the film, including the dialogue between the police and Grant as he was pressed into the floor face down before being executed.



Michael B. Jordan

I was introduced to Michael B. Jordan through his moving role as Wallace on HBO television series The Wire.  The first project outside of The Wire that I seen with Jordan was Red Tails.  There are certain lifetime roles that I believe wait on very special actors, whether we're talking about Denzel Washington's portrayal of Malcolm X, the late Philip Seymour's role as Truman Capote, Chadwick Boseman as Jackie Robinson in 42, or Meryl Streep in the Iron Lady, etc.  As a fan of Jordan, when I heard about Fruitvale Station, I felt this would be one of those moments in film.  And I don't mean this was a "break through role".  It's much more a "break through moment" for everyone involved, especially the family that granted access to portray their lives in Oakland and how they were affected by police terrorism.  In watching Jordan work, we're able to reflect on Oscar Grant's life, his family, circumstance, and how volatile encounters with law enforcement can be.  This is especially true for those that doubt or try to find reason to excuse these murders.  Through everyone's involvement, especially Jordan, we're able to appreciate what independent film projects have to offer counter to the uninvolved nature of the Hollywood clown box.

Ryan Coogler

Fruitvale Station is film director Ryan Coogler's debut.  Listening to Ryan Coogler on the bonus features, you see not only the passion and drive to make this film, but an individual who overstands the power of what he's doing and why.  You also sense his connection to the Bay Area community as a native of Oakland through the film's sounds, sights, and slang.  The audience also see's the humility in his approach to inspire audiences to think, not only about the struggles between police and community, but also the internal problems young people face growing up in neglect, poverty, and/or locations affected by gang violence (and police violence).  While this film definitely invokes feelings of sadness, especially anger, the director mentions his intent to raise awareness and demonstrate advocacy through a film like Fruitvale Station.   He also gives viewers the opportunity to become familiar with Oscar Grant, beyond just the name. This is especially true in light of the character defamation that some police-murder victims go through to save face of the inconsistencies of the protect & serve facade in several American communities.

I respect Coogler's care for this film and what the audience takes from his relationship with mentors like Forest Whitaker and the support they were able to leverage.  Especially to incorporate the caliber of actress like Octavia Spencer and to highlight the incredible talents of Michael B. Jordan, Melonie Diaz, the supporting cast, and the involvements of producer Nina Yang Bongiovi, amongst others. 

This film is a platform to continue the dialogue in light of today's tragedies.  To encourage people to understand that Oscar Grant, Kendra James, Trayvon, Martin, Sergio Adrian Hernandez, Israel Hernandez, Kendrick Johnson, Michael Brown, James Boyd, Daniel Saenz, Jordan Davis, and so many others impacted by the pain of corruption and police terror, MATTER. 

Recently I read an article titled "After Ferguson, Grant Makers Seek Solutions to Racial-Justice Issues" by Suzanne Perry posted in the Chronicle of Philanthropy.  She writes about thoughts of philanthropic leaders and their thoughts of response to Ferguson both short and long term.  One of the quotes by Susan Taylor Batten mentions her belief that "grant makers should go beyond such efforts and examine longstanding issues related to race - for example, by paying for databases to collect information about the number of unarmed black people killed by police and organizing discussions in their regions about community-police relations."  Perry quotes Ms. Batten stating, "it's a challenge to get philanthropy to turn its attention as a field to some of these thornier, tougher issues." It's these type of conversations that connect to the greater purpose of a film like Fruitvale Station and creative ways people like Coogler and the cast are addressing this situation.  It becomes a part of a larger conversation especially in thinking about those questions Perry mentions in her article related to poverty, police accountability, and harmful stereotypes about young black men.  Through story it emphasizes human rights and protection from discrimination or violence at the hands of those that possess power of another.

Support this film at your local Red Box or buy it if you can.  Pass the word and request that your local libraries add to their catalog: www.fruitvalefilm.com.




*Lee / hiphopalumni@gmail.com

Keywords + Tag = Fruitvale | Fruitvale Station | Michael B. Jordan | Ryan Coogler | Forest Whitaker | Bay Area | Oakland | Cellski | The Jacka | police brutality | terrorism | Sundance | Johannes Mehserle | Oscar Grant | BART | BART Police | Bay Area Rapid Transit | Nina Yang Bongiovi | Red Box | Ferguson | Octavia Spencer | Davey D | Raashan Ahmad | Zion I | Amp Live | Ferguson | Michael Brown | Kendra James | Trayvon, Martin | Sergio Adrian Hernandez | Israel Hernandez | Kendrick Johnson | James Boyd | Daniel Saenz | Jordan Davis | racial justice | Suzanne Perry | Susan Taylor Batten | Melonie Diaz | San Francisco | Significant Productions | OG Project | The Weinstein Company | California | police | accountability | terrorism    

Monday, July 7, 2014

HHA Theatre: Biggie Smalls Rap Phenomenon


Rap Phenomenon

In many cases, there are a lot of documentaries out there that are like greatest hits CDs regurgitating what we've heard before, or in the case of film documentary, what we've been told and shown before.  With Rap Phenomenon, I enjoyed some aspects of the film and seeing old clips of Biggie perform, learning more about his camp, specifically D-Roc, and hearing about the microphone master from some of his closest Hip Hop associates.  For fans of Big, check this out.  It isn't something I'd collect, but it's one to view.  Available on DVD through Netflix.

The film is not rated.  Recommended for those that have a vested interest in the life of Christopher "Biggie Smalls" Wallace.  Not recommended if you're concerned with language censorship and other contents that reference drug use, violence, or sexual content.  

Along with films that are available at local libraries, or obtained through a partnership with Hip Hop Alumni, the Hip Hop Stacks blog will also link visitors to films available through other archives such as Netflix, Amazon Prime, or that are posted on YouTube for free viewing.

Citation:
Biggie Smalls: Rap Phenomenon
. Director. April Maiya. Roc Darling Films, 2009. Web. Netflix. http://dvd.netflix.com/Movie/Biggie-Smalls-Rap-Phenomenon/70114195?trkid=222336


Keywords + Tag = Notorious Big | Biggie | Christopher Wallace | Rap Phenomenon | April Maiya | D-Roc | Netflix | Ready to Die | Hypnotize | Brooklyn | Lil' Kim | Junior Mafia | Sky's the Limit | Life After Death | Bad Boy | The Lox | Styles P | Sheek Louch | Jadakiss | Hip Hop | microphone master | eMCee | MC

Monday, May 26, 2014

HHA Theatre: Russell Simmons Presents The Show


The Show

Available on Netflix, a documentary film  I recall wanting to see during my youth. Had access to the cassette tape soundtrack but never really saw the film... would always see the clips of the documentary on rap video shows.  The soundtrack includes a roster of rappers East to West, which was constant in most soundtracks during the time (e.g. OSTs Menace II Society, New Jersey Drive, etc.).  Below is a video clip from the documentary with Andre Harrell. 


Citation
The Show. Savoy Pictures, 1995. Web. http://dvd.netflix.com/Movie/The-Show/70000559?trkid=222336

HHA Theatre, Russell Simmons, Craig Mack, Dr. Dre, Naughty By Nature, Notorious B.I.G., Run-D.M.C., Sean "Puffy" Combs, Slick Rick, Snoop Doggy Dogg, Tha Dogg Pound, Warren G, Wu-Tang Clan, Andre Harrell, 1995 Hip Hop, The Show Soundtrack, Russell Simmons Presents